Rejected from Something Good

A black and white photograph of a staircase with the top brightly lit enough that it obscures whatever is there, with a human figure, possibly wearing a backpack, standing near the top. The black serif text reads, "As I look back on my life, I realize that every time I thought I was being rejected from something good, I was actually being re-directed to something better." The source is "Positive Energy."
A black and white photograph of a staircase with the top brightly lit enough that it obscures whatever is there, with a human figure, possibly wearing a backpack, standing near the top. The black serif text reads, “As I look back on my life, I realize that every time I thought I was being rejected from something good, I was actually being re-directed to something better.” The source is “Positive Energy.”

If you’re not familiar, Aesop’s Fables is a collection of short moralistic stories that have had a surprisingly strong influence over idioms in the English language.

Sort of pre-macro pithy advice, really.

The Fox and the Grapes” is the tale of a very hungry (wait for it) fox who simply cannot reach the enticing grapes on a nearby grapevine.

So he gives up and says, “Pshhh, I didn’t really want those sour-ass grapes anyway.”

And hence we have the expression “sour grapes.”

This macro reminds me of that fox who determined that the unattainable grapes must be shitty.

Clearly, the moral is to devalue what you can’t obtain, because you’ll be happier if you don’t have to experience regret.

Gimme an A for Aesop!

This image choice feels strange for an inspirational quote. It’s a little on the eerie side.

I don’t have to stretch to imagine this as a poster for a horror movie, if it were just paired with an appropriately tattered or blood-drippy font.

“The Thing at the Top of the Stairs.”

Or even just, “The Stairs.”

“The Shining.”

But not that one.

Or, okay, I even could see it being that one.

And then again, in the end, isn’t this actually kind of a horrifying message?

Let’s examine that idea.

In a symbolic sense, it’s not hard to see how a long staircase represents the idea of being re-directed to something better.

But why is what’s at the top of the stairs assumed to be “better” than whatever is at the bottom?

Just as it can feel like you’ve conquered something scary when you achieve a desirable goal (i.e. getting to the top of the stairs), it can feel like you’ve chickened out or failed if your sights were set on an aspiration that you aren’t quite able to reach (i.e. staying at the bottom or turning around halfway through).

The fact that a person had to walk a long way to get to a destination does not make that destination any different, let alone better, than it would have been if it was closer.

It’s scary to confront loss and disappointment.

And there’s no doubt that it sucks to be rejected from something good.

But acting like the TOP of the stairs is better than the BOTTOM of the stairs is just rationalizing after the fact to make it feel like that long walk up the mystery stairs was worthwhile.

Who wants to admit that they hauled their ass up all that way for no real reason?

It sounds way more awesome when you’re like, “I committed to climbing these stairs with a purpose that I both achieved and exceeded! Hooray for stairs! Hooray for me!”

Compare that with, “I was probably just fine at the bottom of the stairs, and I wasn’t really sure why I decided to climb them, but I did, and I’m here now instead of there, and I am still fine because both places are equally fine.”

It’s pretty horrifying how the cult of Toxic Positivity pressures us to resist disappointment, ambiguity, and frustration by rejecting, avoiding, and reframing them rather than acknowledging and sitting with them.

This commentary on the limitations of the macro has no bearing on that fable, though.

Fuck those grapes.

Enjoy Every Moment

serif text says, "Time is like a river. You can't touch the same water twice, because the flow that has been passed will never pass again. Enjoy everyone moment in your life." Credit is given to "LifeLearnedFeelings" at the bottom.

As long as we don’t get into quantum physics, that time / river analogy holds up.

I just don’t see what it has to do with the imperative to enjoy.

This reads like a syllogism, except there’s no clear relationship between the premises and the conclusion.

“Socrates is a man. All men are mortal. Therefore, have another glass of wine.”

Enjoy every moment in your life just because it’s unique?

Suffering can be exquisitely unique, and I’m not about to start appreciating my pain just because it’s not technically identical to the pain that preceded or is likely to follow it.

Many years ago, I read the short story “Funes the Memorious” by Jorge Luis Borges, and I found it both fascinating and overwhelming. I briefly revisited a summary on Wikipedia to write this post, so that’s where I’m coming from right now.

I’ll offer a spoiler warning for my summary, but the fact that it was first published in 1942 feels like pretty fair notice.

The title character, Funes, is a remarkable youth who experiences each present moment in unfathomable detail. Ever since “the accident,” he can fully recall anything he’s ever seen, heard, smelled, tasted, felt, or learned.

“Not only was it difficult for him to comprehend that the generic symbol dog embraces so many unlike individuals of diverse size and form; it bothered him that the dog at three fourteen (seen from the side) should have the same name as the dog seen at three fifteen (seen from the front).” (Borges)

He retains memories of literally all of his previous experiences – for instance, he is exceptionally fast at learning languages, and he can carry on linear conversations – but the information stacks up as trillions of individual pieces of knowledge rather than collapsing into categories that erase specificity.

This portrait of Funes is ultimately bittersweet. He dies at a young age shortly after being interviewed by the narrator of the story (a lightly fictionalized version of the real author).

This narrator’s perception of Funes is both reverent and patronizing. He keeps talking about the tragic youth’s incredible mind and amazing gift, while sadly pondering about the lost potential of that unique mind having been tethered to such a limited existence.

It certainly offers a different perspective on the message of “every moment in your life.”

I think the macro is ultimately meant to be read as a “seize the day” kind of thing.

Borges, on the other hand, seems a little more like an “engage in melancholic reflection on the astounding breadth of possibilities that dissipate to nothingness with each passing moment of each day” kind of vibe. To each their own.

This main message isn’t really the issue I have with the macro, anyway.

Plenty of profound philosophical reflection has been dedicated to the human experience of the passage of time.

The issue I’m picking at here is the disconnect between the evidence (“time is like a river”) and the conclusion (“enjoy every moment”).

It can’t simply be profound to notice that no two moments of your lived experience have been identical – it has to be enjoyable.

This is where Funes comes in. Borges’ work hardly embodies Toxic Positivity.

Borges’ story entertains an extremely literal interpretation of the idea that every moment is unique (again, excluding technical consideration of subatomic particles, which I am severely under-equipped to unpack in a meaningful way).

Funes does not have a great time in his life. The character exists to be a tragic thought experiment.

I suppose the opposite of Funes might be something like that episode of Star Trek with the culture whose language is entirely comprised of metaphors. In that case, it’s necessary to understand the historical, cultural, and contextual application of every reference, so abstract conceptual generalizations are even more important than usual.

The macro is an active imperative to enjoy the exquisite ephemerality of every moment.

Unlike Borges, the unnamed creator of this image for LifeLearnedFeelings was probably not interested in contemplating the tragedy of squandered potential or the hierarchical structure of meaning.

Frankly, I would prefer to read Borges quotes superimposed over sunsets than most of the words that end up there:

“To fall in love is to create a religion that has a fallible god.”

“I can give you my loneliness, my darkness, the hunger of my heart, I am trying to bribe you with uncertainty, with danger, with defeat.”

And, aptly, on the subject of time and rivers:

“Time is the substance I am made of. Time is a river the sweeps me along, but I am the river; it is a tiger which destroys me, but I am the tiger; it is a fire which consumes me, but I am the fire.”

Also, I cannot buy that those are river ripples. That moon is clearly rising over either a lake or an ocean.

Keep Going

A bright red umbrella obscures the face of a person wearing dark boots and a gray coat, walking on a snowy beach. The text alternates between red and black. and says, "Pray, when you feel like worrying. Give thanks, when you feel like complaining. Keep going, when you feel like quitting." The logo at the bottom says, "Power of Positivity."
A bright red umbrella obscures the face of a person wearing dark boots and a gray coat, walking on a snowy beach. The text alternates between red and black. and says, “Pray, when you feel like worrying. Give thanks, when you feel like complaining. Keep going, when you feel like quitting.” The logo at the bottom says, “Power of Positivity.”

I’d argue that there’s a difference between “reframing” and “denial,” and that this macro captures the importance of that distinction.

A reframe for “I’m worried” can be as simple as “I feel worried right now because I don’t have a sense of control over a situation that really matters to me. I know that this feeling will pass and that it will probably happen again.”

Instead of not complaining at all, maybe something like, “I want to examine the source of my irritation when I feel calmer to decide whether it was a defensive response or if it is really important to address.” It can be worthwhile to reframe the urge to complain, but it depends entirely on the situation. Sometimes complaints are necessary for change to happen, and in those cases people who offer gratitude as an alternative to frustration often want stasis, power, or both.

I might counter the suggestion to “keep going” with the words of one Kenny Rogers: “You’ve got to know when to hold ’em, know when to fold ’em, know when to walk away.” Persistence without purpose isn’t necessarily laudable. A reframe might just be a pause: “If can make it through the next five minutes, I can check in with myself again.”

The message on the macro could be paraphrased as, “Don’t stress, don’t whine, don’t rest!”

That’s denial.

If you are experiencing a common response to a trying situation, STOP! Do something else instead.

That’s how you do healthy. 

Ungood feelings are definitely not appropriate responses to inappropriate circumstances. Your feelings are wrong and they need to be corrected.

If you haven’t learned to eliminate your human stress response by praying, then you’re really just asking for an ulcer.  

If you can’t solve a huge systemic problem by practicing individual gratitude, you’re really just an ungrateful leech.

If you haven’t managed to persevere in the face of overwhelming resistance, were you even really trying?

I just don’t know why so many anxious and depressed people miss these obvious solutions to simple problems.

Life is mysterious, I tell ya.

With respect to the image:

I don’t know that “Thank god I remembered to bring my big red umbrella today so I can finish this shitty winter beach walk” should really be the takeaway here, and yet it seems to be supported by the text.

It’s okay to give up on your walk that turned out to be windier than expected.